{"id":14432,"date":"2014-05-13T11:11:34","date_gmt":"2014-05-13T18:11:34","guid":{"rendered":"https:\/\/qgp.ykq.mybluehost.me\/cinephiled\/?p=14432"},"modified":"2014-05-13T14:22:53","modified_gmt":"2014-05-13T21:22:53","slug":"videophiled-her-love-in-the-digital-age","status":"publish","type":"post","link":"https:\/\/www.cinephiled.com\/videophiled-her-love-in-the-digital-age\/","title":{"rendered":"Videophiled: ‘Her’ \u2013 Love in the Digital Age"},"content":{"rendered":"

\"Her\"<\/a>Her<\/i><\/b> (Warner, Blu-ray, DVD, Digital HD, VOD, On Demand), the first film from Spike Jonze since his underrated take on Where the Wild Things Are<\/i>, returns to the territory of his debut film Being John Malkovich<\/i> but without the satirical edge. Like his fellow filmmakers and former collaborators Michael Gondry and screenwriter Charlie Kaufman, Jonze is narratively playful and challenging, but his interest as a filmmaker is in the human experience: unresolved emotions, emotional pain, longing, disappointment, and the need for love and affirmation. Jonze wrote this original screenplay himself and won the Academy Award for it.<\/p>\n

As you probably already know, Her<\/i> is a love story between a man and his smartphone operating system, a science-fiction conceit that springboards off Siri and the plugged-in culture to create an artificially intelligent operating system that picks up on vocal cues and emotional states, responding empathetically to its user. Joaquin Phoenix is Theodore, an emotionally wounded man who armors himself from personal contact after a break-up and divorce, and the only person to break through that is not a person at all but this bodyless entity. It’s the logical step since he communicates with his computer and its voice-activated system more than he does with people, one-sided a relationship that prevents him from interacting with the world. When it becomes an interactive entity, a personality that responds to and bonds with him, it’s seductive. It’s also, unexpectedly, a way back to the rich pageant of human existence around.<\/p>\n

Jonze creates an almost idealized vision of Los Angeles here, a clean, handsome urban cityscape of affluence in cool colors and an austerity we don’t expect to see in L.A. This is a city with litter, no gridlock, and no overcrowding, a beautiful but strangely lonely vision of city life that only becomes energized when Samantha, as the system is named, takes Theodore into the crowds of public spaces. Samantha grows exponentially, reaching out into the world to experience all she can, and she leads Theodore back into the world with her even as she evolves far past his limitations.<\/p>\n