{"id":18933,"date":"2015-05-05T17:22:29","date_gmt":"2015-05-06T00:22:29","guid":{"rendered":"https:\/\/qgp.ykq.mybluehost.me\/cinephiled\/?p=18933"},"modified":"2015-05-05T22:49:28","modified_gmt":"2015-05-06T05:49:28","slug":"videophiled-oscar-winner-selma-nominee-mr-turner-liv-ullman-directs-miss-julie-original-mad-max","status":"publish","type":"post","link":"https:\/\/www.cinephiled.com\/videophiled-oscar-winner-selma-nominee-mr-turner-liv-ullman-directs-miss-julie-original-mad-max\/","title":{"rendered":"Videophiled: Oscar winner ‘Selma’ and nominee ‘Mr. Turner,’ Liv Ullman directs ‘Miss Julie,’ the original ‘Mad Max’"},"content":{"rendered":"

\"Selma\"Selma<\/i><\/b> (Paramount, Blu-ray, DVD, VOD), directed by Ava Duvernay (who also rewrote Paul Webb’s screenplay without credit), takes on the 1965 march led by Dr. Martin Luther King through Alabama as a benchmark moment in the fight for voting rights and, more generally, civil rights for black citizens in the American south. It’s the kind of film that can get lost in hagiography and simplification. Duvernay sidesteps both with a nuanced, complicated portrait of King (played here by British actor David Oyelowo, star of Duvernay’s previous film Middle of Nowhere<\/i>) as a man aware of his power as an orator and as a leader, as well as a savvy campaigner with a keen understanding of the workings of the corporate media and local and national politics and powers. Selma was carefully chosen for this event because of, not despite, the potential for violence, one of the ironies revealed in the film: to get the news media to pay attention to injustice, King and his partners in protest had to give them conflict.<\/p>\n

That comes at a cost and much of Selma<\/i> is about the cost and the stakes of movement. Oyelowo plays King with grace and dignity, but he’s always aware of what people are putting on the line, including his wife (Carmen Ejogo), who is harassed by the FBI with evidence of King’s adultery. One of the film’s great triumphs is the maturity and seriousness with which it confronts the way this couple tries to work through it.<\/p>\n

There are conflicts within in the movement and with President Lyndon B. Johnson (Tom Wilkinson), who was the greatest ally the movement ever had in the White House but was also a politician worried about how to spend his political capital for the greatest good. The film has been criticized for its portrayal of Johnson’s resistance to King’s insistence on moving ahead quickly with voting rights, a conflict partly engineered in the film for dramatic purpose, but I think the critics protest too much. Those scenes illustrate how even supporters of the cause cannot fully understand the reality of living under such repressive laws or the urgency for change. This isn’t a film about Johnson or even, at heart, about King. It is about a culture, a movement, a moment in history, a great injustice that should never be forgotten, and the lives affected by that injustice. Duvernay’s greatest accomplishment is in humanizing history and reminding us of why it matters.<\/p>\n

The superb supporting cast of committed performers includes Wendell Pierce, Tessa Thompson, producer Oprah Winfrey, Common, Tim Roth as Alabama governor George Wallace, and Dylan Baker as J. Edgar Hoover. Note that none of King’s speeches are included here. For reasons beyond my understanding, the King family would not allow Duvernay to use King’s speeches, but the film still manages to give us a sense of the power and passion of his words.<\/p>\n

Selma<\/i> received two Oscar nominations: for Best Picture and Best Original Song \u201cGlory\u201d by Common and John Legend, which it won. Many Oscar watchers thought that controversy over the LBJ portrait resulted so few nominations.<\/p>\n