{"id":712,"date":"2013-10-21T06:20:02","date_gmt":"2013-10-21T13:20:02","guid":{"rendered":"https:\/\/qgp.ykq.mybluehost.me\/cinephiled\/?p=712"},"modified":"2013-10-21T07:15:08","modified_gmt":"2013-10-21T14:15:08","slug":"interview-douglas-booth-star-of-new-romeo-and-juliet-responds-to-critics","status":"publish","type":"post","link":"https:\/\/www.cinephiled.com\/interview-douglas-booth-star-of-new-romeo-and-juliet-responds-to-critics\/","title":{"rendered":"Interview: Douglas Booth, Star of New ‘Romeo and Juliet,’ Responds to Critics"},"content":{"rendered":"

You may have heard about some of the issues critics have with Carlo Carlei\u2019s new movie version of Shakespeare\u2019s Romeo and Juliet<\/em>. Oscar-winning writer Julian Fellowes (Gosford Park, Downton Abbey<\/em>) has \u201creimagined\u201d Shakespeare\u2019s play for modern audiences. What? The nerve! How dare anyone tinker with this epic tragedy about the star-crossed lovers! But guess what? This sumptuous version of the enduring love story may indeed attract audiences who \u00a0have felt intimidated by Shakespeare. And it’s hardly the first time one of the Bard’s plays has been adapted for the stage or screen. Romeo and Juliet<\/em> stars Douglas Booth (Worried About the Boy, Great Expectations<\/em>) as Romeo Montague and Hailee Steinfeld (True Grit, Ender\u2019s Game<\/em>) as young Juliet Capulet. It also features an excellent international cast including Paul Giamatti, Natascha McElhone, Damian Lewis, Lesley Manville, Kodi Smit-McPhee, and Stellan Skarsg\u00e5rd. I sat down with Douglas Booth in Los Angeles to discuss the controversies surrounding the film.<\/p>\n

\"romeoandjuliet-poster\"<\/a>Danny Miller: I\u2019ve been following the criticisms some people have of this film and admit that I was a little leery going in. I was skeptical about the idea of making the film more \u201caccessible\u201d to today’s audiences, but you know what? I found it way more accessible! I enjoyed the story of the feuding Capulets and Montagues more than I ever have!<\/strong><\/p>\n

Douglas Booth:<\/strong> It\u2019s weird\u2014what I think a lot of people don\u2019t understand is that you can\u2019t just take a three and a half hour play and put it on the screen. To work as a film, it needs to be adapted into a screenplay.<\/p>\n

I wonder if Americans are even more guilty than Brits of treating Shakespeare so reverentially. Possibly because of our inferiority complex regarding American and English culture?<\/strong><\/p>\n

That may be true. You know, \u00a0in Shakespeare\u2019s day, people would be sitting there in the theater for three or four hours eating, chatting during the play, getting shushed by others when someone\u2019s favorite bits were on. And, of course, back then Juliet would have been played by a boy! Are we being scolded now because Juliet isn\u2019t<\/em> being played by a boy?<\/p>\n

And it\u2019s not like people haven\u2019t been adapting Shakespeare\u2019s works since the day he died.<\/strong><\/p>\n

Of course! I recently saw a brilliant production of Chekhov\u2019s Three Sisters<\/em> in London. They turned the whole play on its head, even changing bits of dialogue. It was set in this non-time period and it was some of the most engaging Chekhov I\u2019ve ever seen. The fact that they fiddled with it a little bit made it very exciting for audiences.<\/p>\n

I\u2019m obviously not a Shakespeare scholar, but I have to say this film helped me understand some of the dynamics between the characters in new ways.<\/strong><\/p>\n

I think our movie really pulls you in. And what I love about this film is that even if you \u00a0look at Franco Zeffirelli\u2019s Romeo and Juliet<\/em> \u2014 and I love that film, it’s amazing \u2014 \u00a0some of the surrounding characters are played like caricatures. Here we\u2019ve got Paul Giamatti giving an amazing performance as Friar Laurence which is at the heart of the movie \u2014 creating a relationship with Romeo that you\u2019ve never really seen before. I think Shakespeare allows for multiple interpretations of characters.<\/p>\n

All that said, were you nervous about playing Romeo in this new version?<\/strong><\/p>\n

I did pour through the script at first to make sure that some of my favorite parts were still there. One of my favorite scenes is the one that I do with Paul in the sacristy after I\u2019ve just killed Tybalt. It was very important to me that we had to have the speech about the carrion-flies and all that dialogue as I\u2019m walking up the steps. I think Julian was very clever about leaving in things like that.<\/p>\n

It was nice to see someone playing Juliet who was just the right age. I think Norma Shearer was in her mid-30s in the famous MGM version! Hailee Steinfeld is just wonderful.<\/strong><\/p>\n

Hailee is great. I think she brings a beautiful innocence to this film and to their love.<\/p>\n

Of course, watching it at the age I am now I wanted to scream, \u201cWhat are you two doing? Can\u2019t you just wait a few years?\u201d<\/strong><\/p>\n

Oh, absolutely. When you\u2019re young and experiencing your first love, you\u2019re usually crazy! You don\u2019t know which way is up, which way is down \u2014 you just lose all sense. That\u2019s what we were playing with in this film.<\/p>\n

The locations were amazing. You were shooting in the actual spots where the story was supposed to be taking place?<\/strong><\/p>\n

Yes, we were in Verona and other places that were true to the time and true to where it was supposed to be set. I loved shooting those scenes in the Room of the Giants at the Te Palace with all those amazing frescoes. Carlo wanted that because he wanted it to seem like the whole world was crashing down on my head. I don\u2019t think \u00a0film companies have ever been allowed into many of these places, there were security guards in there the whole time watching our every move. The place where we got married was in this beautiful monastery up in the hills outside of Rome \u2014 at one point we got snowed in and had to evacuate. This place is actually dug into the mountains, it\u2019s so beautiful, but our cinematographer David Tattersall was only allowed 25 candles to light the scene! They thought the heat of any actual lights would hurt the artwork.<\/p>\n

\"romeo-tybalt\"<\/a><\/p>\n

The swordplay in the film was pretty impressive. Did you already have fencing experience?<\/strong><\/p>\n

I\u2019d done a little on this TV series years ago but we trained a lot for this film.<\/p>\n

Were there moments in those scenes where you could really hurt each other if you made a mistake?<\/strong><\/p>\n

Oh, definitely. I had this one fight with Ed Westwick (who played Tybalt) and there was a point where I went to defend his move and I missed and completely wrenched my shoulder. I just went down! We were in this circular church and I remember just lying on the floor in pain. I heard the producers screaming for the medic! Luckily, I was fine, I just had to put ice on it for a while and take a \u00a0bunch of aspirin! But there are points in the film when you can see me wincing in pain \u2014 that wasn\u2019t acting!<\/p>\n

The costumes were \u00a0gorgeous, too. Were they comfortable to wear?<\/strong><\/p>\n

Some of them were a bit uncomfortable, but I loved them. Our costume designer, Carlo Poggioli, and his team were slavishly devoted to detail in everything we wore. Except maybe the undergarments \u2014 we were wearing thermals a lot because it was so cold! But everybody was dressed perfectly down to the last detail, even the extras. The Capulets wore a lot of dark purples and blues and the Montagues were in oranges and browns.<\/p>\n

Is it strange having to be on the defensive about the approach Julian Fellowes took for this film?<\/strong><\/p>\n

Yes. I\u2019m a little nervous about the purists coming in and bashing us! But I truly believe that if Shakespeare were alive today, he\u2019d \u00a0be doing all sorts of stuff with these stories. The bottom line is that the story is gorgeous, the language is gorgeous \u2014 and we have most of Shakespeare\u2019s language in our version. Film obviously wasn\u2019t on anybody\u2019s mind back in the 16th century, it was nothing people could have even imagined. So Shakespeare had to write things like, \u201cOh, look, the moon is out\u201d \u2014 he had to describe everything. But we had to make it work as a film, and help people to not be afraid of Shakespeare. If we could make anyone who would normally steer clear of Shakespeare want to go see a production of the play, that would be the best thing that could come from this.<\/p>\n

I\u2019m excited about the other two big films you have coming up: Darren Aronofsky\u2019s Noah<\/em> and the Wachowskis\u2019 Jupiter Ascending<\/em>.<\/strong><\/p>\n

So am I! I did Noah<\/em> right after Romeo and Juliet<\/em> and it was such an incredible experience. That film comes out in March. It\u2019s a major spectacle but it\u2019s also rooted in family \u2014 just like this film. I play Noah\u2019s oldest son and it kind of twists in this brilliantly dark Darren way. It\u2019s wonderful, I can\u2019t wait to see it. And I had the best time on Jupiter Ascending<\/em>. The Wachowskis are absolute geniuses, I loved working with them. I think they\u2019ve made something quite special \u2014 and absolutely mad!<\/p>\n

[video_lightbox_youtube video_id=l62Sa8GpRTQ width=1280 height=720 anchor=”\/wp-content\/uploads\/2013\/10\/romeojuliet-trailer.jpg”]<\/p>\n

Romeo and Juliet<\/em> is currently in theaters.<\/p>\n","protected":false},"excerpt":{"rendered":"

You may have heard about some of the issues critics have with Carlo Carlei\u2019s new movie version of Shakespeare\u2019s Romeo and Juliet. Oscar-winning writer Julian Fellowes (Gosford Park, Downton Abbey) has \u201creimagined\u201d Shakespeare\u2019s play for modern audiences. What? The nerve! How dare anyone tinker with this epic tragedy about the star-crossed lovers! But guess what? 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